Cities - Santa Monica
Burlesque Surreal
Sergio Martinez, Socal.com Editor |

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 I’m meeting Bataille and Artaud at Club Seduce tonight. Dali, Picasso –and his personal doctor, a young psychiatrist by the name of Jacques Lacan- might also show up. So might Elluard, Tanguy and Ray. Breton of course, has already a table reserved and is here, I can see him 3 tables afar. Tzara wouldn’t miss it for the world, and he’s already here with Ernst and I. Max looks at me puzzled: “Where’s Duchamp… I’m about ready to begin the exquisite corpse of the night…”
He writes a line of text on top of a napkin, passes it around and repeats what he wrote on it out loud:
“Who will be seduced tonight?”

Ernst then looks at Breton, who’s grabbed the napkin and is already writing its next line… Breton playfully, inquisitively replies:
“The breasts of Notre Dame?”
Club Seduce’s entire crowd laughs out loud… and almost as if by queue, the entire night starts: as the napkin gets passed around and the guests of the club write their own poetic lines, the lights go totally out.

And stars and starlets all show up:
the gowns mother, the gowns gosh, so decadent and plush. Did I mention the stockings, the fish nets? Almighty where are my baggy pants? Is there anything more arousing that silky legs, breasts, eyelashes, moans, groans and well, here and there a fight?
The men on trapeze are neither bad to look at.
I grab the waitress passing by me and order me another glass –I actually ordered a bottle- of wine. Let the night unfold and as an aerial artist curls down from a translucent fabric, unfold it does…

A semi-naked man spins at ungodly speeds just above my head –perhaps at the same speed that my head would spin later that night-, the girls are all going crazy, the strippers are going wild… apparently, there’s no MC in the house.
The gossip makes it all even more morbid. It adds a ‘behind the velvet rope’ feel to it all… so I obliged…

Bursts of the many night’s ‘acts’ are still, somewhat gelatinously stuck to my mind. Bodies were graciously contorting above me. Can-Can dresses were oceans overflowing oh so nearby. Stockings everywhere. Laughs mother, lots of cheerful, spontaneous, giggling laughs. There was I remember clearly, an ongoing issue with the mysterious disappearance of the House MC…

They told me I got a little rowdy toward the end and that my cheers were the loudest in the house. They said that Bataille came, left, came and left again and that I was nowhere to be found. By the look of my bill, I guessed I continued with the bottle-ordering habit quite into the night. They said someone paid for my taxi and that one of the burlesque dancers, like all Mademoiselles do in France, tucked me safely in the rear seat and gave instructions to the patient driver regarding my whereabouts…

I know that next morning I woke up in the coach. Glasses smashed against my face, still fully dressed up, the light from the nearby window cutting my face straight in half. Damn. I look at the piles of surrealist themed books near the couch, The Tears of Eros, Bataille’s most moving work, lies on top… as I get up to wash up before heading out again, I realize that after all, Bataille and I did meet each other last night… |
Is there a better metaphor for life than a trapeze artist at work?
I see all the elements: the struggle for balance, the inherent risk while trying anything new, the precariousness, beauty and preciousness of it all. The spirals -up and down-, the valleys and the peaks, the highs and the lows. The spotlight, the shadow, the ego, the self... the anima and the animus, and above it all, the hand that reaches out from the other end of the rope.
Every time I have an opportunity to see anything aerial, I get inspired because I get the rare chance to feel within me the clear sensation of a switch being turned on. I don't just see choreographies, I see complete cosmogonies... ying and yang enthralled in battle, entire philosophies of men that would collapse if the trapeze artist would fall.
Artists in LA abound but the creativity and ingenuity behind Gaultier artists is truly outstanding. A show already close to perfect, now renamed, has been thoroughly improved and is again, for your sheer pleasure, only available for a short run. Grab a ticket before the entire company relocates to Vegas or Montecarlo.
Show details follow
“LE CLUB SEDUCE”
An Interactive Aerial Burlesque Comedy
“This production is truly a miracle of ingenuity. Take this one and run with it- your loss if you miss out”
-SOCAL MAGAZINE
WHAT :
Le Club Seduce (formerly Behind the Velvet Rope), an interactive burlesque comedy returns for its third run in Los Angeles. The last two runs were crowned with standing ovations and sold out houses.
The 1 hr.15 min show features original music and lyrics from European Grammy award winning composer Michael Saxell, audience participation, breathtaking circus aerial acts and novel and saucy strip tease routines created by choreographers behind such artists as Cher, Madonna and Pink.
Imagine a Paris nightclub in 1897, two girls stripping 20 feet in the air, a contortionist who sheds her “skin”, and a semi-nude man spinning on a hoop. This night at Le Club Seduce, The MC has gone missing and the competition is on for the hot spot as a top-billing act.
You never know who you’re going to meet at LE CLUB SEDUCE…The sensual snake charmer? The exotic dancers? the faded star who attempts to regain her spotlight or perhaps even audience members joining in on the fun?
WHO:
Created by: Nathalie Yves Gaulthier (writer/director/producer: musicals/circus related productions across Canada and film Youth Specialist/coach: “Spanglish”, “Daddy Day Care”, Dark Water”)
The show features a strong cast of Broadway actors, dancers and singers, combined with the talents of aerialists/trapeze artists.
Cast members include:
Dreya Weber (actress/aerialist/choreographer: Cher, Madonna, Pink)
Sal Vassallo (dancer Cher, Reba, Julie Taymor-L.A Opera)
Shannon Beach (Saturday Night Fever/Cher tour dancer)
Sebastien Stella (Cirque Du Soleil “O”)
Stef Tovar (Evita! National tour)
Ricky Culbertson (Sweeney Todd, Sondheim Celebration, Black Comedy)
Lisuan Whittingham (Reprise! Broadways’s Best/Zorba, Vegas)
Nina Kruse (Comedian/singer/actress from NY, L.A)
Tumaini Finley (Dayton Contemporary Dance ensemble)
Camilla Davenport (Swedish actress)
Nathalie Yves Gaulthier (Canadian performer/director)
WHERE:
LE STUDIO: 3025 Olympic blvd, STAGE A, Santa Monica, CA 90404
WHEN: JUNE 15-19: 7:30 pm shows
(With Thurs.& Fri. 7:30 and 10:30 pm shows)
Sat: * 10:30 pm show only: Caviar and Champagne show)
Executive Produced by Nathalie Yves Gaulthier
Co-Produced by Camilla Davenport and Dreya Weber
Written by Nathalie Yves Gaulthier and Dreya Weber
Directed by Nathalie Yves Gaulthier with David Oliver
Choreography by Sal Vassallo and Shannon Beach
Aerial Choreography by Dreya Weber
Original Music by Michael Saxell
Original Lyrics by Jennifer & Michael Saxell
Original Swedish lyrics by Jacques Werup
Advance tickets available ONLINE ONLY at: www.Gaulthierartists.com
$25 includes wine (or champagne for late night shows)
Limited seating: advance booking strongly recommended.
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